One of the best places to learn Resolve is Film Simplified.
PremiumBeat
Your tutorials are AWESOME!
SmallHD
Just finished watching your Resolve course. That was what I needed!
Dave Dugdale
This DaVinci Resolve Course, will get you color grading like a pro, in No Time.
No Film School
This course is the easiest & fastest way to learn color grading in Resolve.
$229
The fastest & easiest way to learn how to edit in Resolve.
$129
Learn Fairlight and the basics of digital audio & audio mixing
$70
Everything you need to know about the Cut page and how to use it
$49
The easiest Fusion online training
$100
The only modular film-emulation LUT pack (Includes more than 200 3D LUTs)
$120
All above courses
Download raw and graded ProRes files. Your job is to try and match them. Then, watch the actual grading sessions and compare that to your approach.
$99
Learn how to create 2D text animation in Fusion
$70
Learn how to utilize the power of OFX plugins in Resolve
$59
The fastest & easiest way to learn all about RGB curves in Resolve.
$89
Learn how to match any shot
$70
50 customizable titles. Easily change colors, fonts & length. No plug-ins required.
$29
The World's Largest Practice Footage Library. 500 LOG & graded clips. Start practicing now!
$120
Stream (laptop, tablet or phone)
view courses offline
for easy reference
Lifetime access
Learn to edit, color, composite, animate & mix audio in Resolve.
No fluff.
Straight to the point.
Bite-sized videos.
This course is the easiest and fastest way to learn color grading in DaVinci Resolve.
For the absolute beginner. No prior knowledge of DaVinci Resolve, or color grading, is required.
Regular price: $229
Learn how to edit your footage in Resolve. Say goodbye to round-tripping and the monthly NLE subscription.
Regular price: $129
This course teaches you how to mix and master audio professionally, right from within Resolve.
Also, we cover the fundamental concepts of digital audio, audio effects and audio mixing.
Regular price: $70
In this brand new course, we cover everything you need to know about the Cut page and how to use it to its full potential.
Regular price: $49
Fusion is the world's most advanced visual effects and compositing software, and it's been used in over 1000 major Hollywood blockbuster feature films!
And now Fusion is a part of Resolve, making it easier than ever to add visual effects to your projects.
Regular price: $100
More than 200 LUTs that utilize our unique modular approach, allowing you to stack LUTs on top of each other to achieve advanced looks, in no time.
Regular price: $120
Download raw and graded ProRes files. Your job is to try and match them. Then, watch the actual grading sessions and compare that to your approach.
Regular price: $99
Learn how to create 2D text animation in Fusion
Regular price: $70
Learn how to utilize the power of OFX plugins in Resolve
Regular price: $59
Curves are the most powerful color controls ever.
With this course, you'll learn how to use them to transform your footage and get a cinematic look faster and easier than ever.
This course is designed with the absolute beginner in mind.
Regular price: $89
Learning to color match, opens a whole new world of possibilities for you and your clients. It gives you the ability to match the colors of your film to the colors of major Hollywood films.
Regular price: $70
50 customizable titles. Easily change colors, fonts & length. No plug-ins required.
Regular price: $29
The World's Largest Practice Footage Library. 500 LOG & graded clips. Start practicing now!
Regular price: $120
No membership.
No monthly fees.
You only pay once.
Filmmakers who bought our courses back in 2014 when we first started (Resolve 9) were upgraded for free every year and they will continue to receive updates as we put them out.
If you're not happy with the bundle, we'll happily issue you a full refund.
No questions asked.
No hassle.
Risk-free.
I'm a happy customer since 2015!
I have all the Resolve tutorials, still I bought the new bundle only for the "free gifts"!
It is awesome! Highly recommended!
David Skaliczky
You're a great teacher and your courses (paid and free) are the best out there for Davinci Resolve. Glad I signed up with you.
Patrick Corbett
Straight Forward Awesome Course. I’ve learnt what others might take months if not years to learn within just a couple of days.
Melvin
It's really a challenge to create a course that neither moves along with the material too fast or too slow. This one moved along at a very pleasing pace. I never felt lost because it was going too fast or bored because it was going slow.
Billy Sheahan
I really love your style of teaching. I bought and tried a number of other courses and yours is by far the best. Concise. Clear. Thorough. Very well done!
Richard Pryde Hughes
This would have cut a great deal of time off of my learning curve if it was available when I started.
Woody Sanford
Easily the best DaVinci Resolve course online. Thank you Alex.
Aksel Rifman
Hands down one of the best DaVinci Resolve learning courses I have come across.
Miguel E-Noel
Alex Jordan
Alex is the founder of LearnColorGrading.com and FilmSimplified.com
He's a DP, colorist and editor who’s worked with global companies such as Mercedes, L’Oreal, and Mars. Alex is passionate about teaching, color grading and filmmaking.
Yes! You can download or stream all courses included in this bundle.
We would never want you to be unhappy! If you are unsatisfied with your purchase, contact us in the first 30 days and we will give you a full refund.
Resolve 18!
Downloading Resolve and getting started
Intro into the Resolve interface and tabs
The Media Tab and Importing Footage
Importing footage using scene-cut-detection
Exploring the color tab and its effects
Effects controls and using the mouse wheel
Resetting effects and parameters
Using the cinema Viewer
The difference between color correction and color grading
The 3 main ranges-Highlights, Midtones and shadows
The difference between primary and secondary colors
Understanding Contrast
Understanding Hue
Understanding Luma
Understanding power windows and their uses
Dealing with hidden power windows
The basics of keying and its different types
Applying and using LUTs
Scopes - Intro
Scopes - RGB Parade
Scopes - Waveform
Scopes - Histogram
Scopes - vectorscope
Scopes - CIE
Introduction to nodes
What is the outside node
Parallel and layer nodes
The Splitter Combiner node
Where to add nodes in the nodes structure
Activating and Deactivating nodes
How to nest nodes
The shared node
Grouping shots and node levels
Copy attributes between nodes
Primaries VS Log color wheels
Hue and tint controls
The RGB Curves
The Hue vs Hue curve
The Hue vs Sat curve
The Hue vs Luma curve
The Luma vs Sat curve
The Sat vs Sat curve
Sat vs Sat in depth
Using the qualifiers to select different ranges
Tracking power windows and using selective tracking
What is the point tracker
The Keyframing Tab and controlling effect over time
Using the color match control
Color correction using the White and black point pickers
Shot matching
The Key tab and node opacity
Prevent color problems and breakup
Histogram in curves
Stabilizing shaky footage
Control the sizing of your image
The Blur tab
Getting references and comparing your images
Saving and comparing different versions of your grade
The Auto color button
How to append a vignette from a saved reference
Pre-Selected color ranges
Black and white point pickers
The settings of DaVinci Resolve
The user settings in resolve
Settings of the current project
The deliver tab
The cross process look
The Bleach Bypass look
High Key vs Low Key look
Desaturate different color ranges
Grading against a graded image
The Golden Look practice
Isolating and stylizing highlights
1 Hour
Downloading Resolve and getting started
Intro into the Resolve interface and tabs
Exploring The Edit Tab - Part 1
Exploring The Edit Tab - Part 2
Exploring The Edit Tab - Part 3
Exploring The Edit Tab - Part 4
The Media Tab and Importing Footage
Importing footage using scene-cut-detection
Creating smart folders using metadata
Creating a New Timeline
Saving & Archiving a Project
Using the timeline proxy mode for smoother playback
Understanding optimized media
Understanding proxy files
Using optimized proxy filesCaching
The effect of Proxy Mode on Caching
Input LUT
Cinema Viewer (view options)
Bypass Color Effects (0:53)
Adding Clips to Timeline - Intro
Adding Clips to Timeline - (Insert)
Adding Clips to Timeline - (Overwrite)
Adding Clips to Timeline - (Replace)
Adding Clips to Timeline - (Fit to fill)
Adding Clips to Timeline - (Place on top)
Adding Clips to Timeline - (Append to end)
Adding Clips to Timeline - (Ripple overwrite part 1)
Adding Clips to Timeline - (Ripple overwrite part 2)
Importing Footage Directly to Timeline
Adding Video-only or Audio-only to timeline
The Selection Edit Mode
The Trim Edit Mode
Dynamic Trim Mode
Compound Clips & Nested Sequences
Using Match Frame
Using Transitions
Transitions Shortcut
Fade in & out Handles
Disabling Clips
Select Clips Backward or Forward
Saving Clips with Settings to use them later
Open Bin in New Window
Dynamic Zoom
Go to Last Position
Undo History
Open FX
Show Duplicate frames
The new thumbnail view
Adjustment clip
Stabilization
How to use Keyframing
Viewing and editing Motion Paths
Speed Changing & Retiming - Part 1
Speed Changing & Retiming - Part 2
Speed Changing & Retiming - Part 3
Generating and using Titles
Using the Generators
Syncing and editing multicam clips
The settings of DaVinci Resolve
User Settings
Settings of the current project
The Deliver Tab
getting started
Intro into the Resolve interface and tabs
The settings of DaVinci Resolve
Settings of the current project
The user settings in resolve
Fairlight interface
Fairlight editing modes
What is Amplitude
What are Frequencies
The Equalizer - Part 1
The Equalizer - Part 2
What are Dynamics effects?
How to calculate Resolution in audio
What is the difference between an audio track and an audio channel?
Adding and controlling effects
What is the mixer and how to use it
What is routing and how to create busses
How to Normalize audio levels?
Audio mixing using the equalizer
Audio mixing using the dynamics controls
Intro into the Resolve interface and tabs
Downloading Resolve and getting started
CUT vs. EDIT pages
The interface (part 1)
The interface (part 2)
The interface (part 3)
Importing files
Dealing with bins
Importing folders
Relink media
Importing clips directly to the timeline
Changing a timeline properties
Creating a timeline
Preview files
Proxy mode
Bypass effects
Cinema viewer
Adding in and out points
Adding in and out points in source tape mode
Inserting clips manually
Smart insert
Append to end
Ripple overwrite
Closeup edit
Place on top
Source overwrite
Audio-only tracks
Controlling parameters
Transform
Cropping
Speed
Audio
Camera
Dynamic zoom
Composite
Slip
Trimming
Titles and generators
Snapping
Disable and enable clips
Right click the playhead
Clip colors
Clip attributes
Transitions
Replacing clips in the timeline
Playhead move with dragged clip
Fast preview of the timeline
Export
getting started
Intro into the Resolve interface and tabs
The Media Tab and Importing Footage
The settings of DaVinci Resolve
The user settings in resolve
Settings of the current project
Change the memory (RAM) allocated to fusion
Fusion Interface
Introduction to nodes
Viewing nodes on monitors
The inspector relation to nodes
Connecting nodes (inputs and outputs)
Node inputs location change
Resetting effects and parameters
Reset the entire node structure
The position of new added nodes
What is the media in node
What is the media out node
The transform node
The merge node
The Text node
The Background node
Creating masks with nodes
The Delta keyer node
Node view and arrangement options
Groups and folders
The pipe router
Creating different versions of compositions
Animation intro
The keyframe editor
The spline editor
Tracking in fusion
The 3D environment
The 3D text node
The 3D Merge node
3D Background (3D to 2D)
Converting 2D object to 3D
Animating 3D objects
The 3D Camera node
The deliver tab - Basics
The deliver tab - Advanced
Caching and proxy mode
Caching
The Layer system
The importance of the background node
Text from edit
The paint node
Show controls
Adjusting background image color
Show guides
Adding new fonts
Creating background gradient
The text node preview options
Create text outline
Text shapes
Character level styling
Extra text options
Mask over text
White masks
Cut the text from the image
Image through text
Smooth animations
Text followers
Playhead position sync
Creating and animating standard shapes
Write-on
Subtracting masks for animation
Animating static text using the over operator
scramble text
Displace
Animate text
The glow node
Adding Rays
TV
What Are OFX Plugins
Installing New Effects
Effects covered in this course
Global Blend
Adding & Controlling Parameters (Cut page)
Adding & Controlling Parameters (Edit page)
Adding & Controlling Parameters (Color page)
Adding & Controlling Parameters (Fusion page)
Camera Shake
Glow
Flicker
Vignette
Mosaic Blur
Why use curves
Shadows, Midtones & Highlights
Multiple curves
Where is the yellow curve
Controlling curves points
Examples
Moving directions
The 4th and 5th points
The S curve
place holders
Starting from the side points
Starting from the middle point
The closing S curve
The spline control
Default anchors
White balancing
relative channel controls
Cross process
Vintage 1
Vintage 2
Vintage 3
Introduction
Reference Sizing
Saturation
Primaries & LOG
Contrast & Colors in Different Nodes
Offset vs. Gain
Contrast & The Pivot Point
Hue vs. Luma
Gamma vs. Lift
RGB Mixer
Dialing Adjustment to Taste
Recovering Highlights
Input Saturation
Midtone Contrast
Editing Modes